℗ 2005 EarBooks 937 406 32 CD 02 / © Edel Records / © Jazzee Blue
℗ 2005 EarBooks 937 406 32 CD 03 / © Edel Records / © Jazzee Blue : Album Three: (Louisiana & New Orleans)
℗ 2005 EarBooks 937 406 32 CD 01 / © Edel Records / © Jazzee Blue : Album One: (Beginnings)
℗ 2005 EarBooks 937 406 32 / © Edel Records / © Jazzee Blue : Blue Gitars
℗ 2005 EarBooks 937 406 32 CD 04: Album Four: (Electric Memphis Blues)
℗ 2005 EarBooks 937 406 32 CD 05: Album Five: (Texas Blues)
℗ 2005 EarBooks 937 406 32 CD 06: Album Six: (Chicago Blues)
℗ 2005 EarBooks 937 406 32 CD 07: Album Seven: (Blues Ballads)
℗ 2005 EarBooks 937 406 32 CD 08: Album Eight: (Gospel Soul Blues and Motown)
℗ 2005 EarBooks 937 406 32 CD 09: Album Nine: (Celtic and Irish Blues)
℗ 2005 EarBooks 937 406 32 CD 10: Album Ten: (Latin Blues)
℗ 2005 EarBooks 937 406 32 CD 11: Album Eleven: (60's and 70's)
Country Blues was the natural development, the original Blues would go, once it had arrived in the American South: it was a dark time, a time of fear, people had to work hard during slavery, even harder after they had been released, wandering around unemployed, aimlessly. Racism and KKK made the situation even worse, which reflected in the music, instrumentation gradually changed and the lyrics told stories of fear (KKK Blues), aimless wandering (Walkin' Country Blues), alcoholism (Too Much Drinkin'), but also the flight from prevailing conditions, maybe with another perspective for life and the future in the big cities (Ticket for Chicago). But also themes of movement (Steam Train Blues) and the faith in God and Religion (If You've Got A Friend In Jesus) were made topics in the songs, as well as the occasional search for some recreation and a good time (Dance All Night Long). The social and personal problems found their way into the music and started to change the Blues on a profound level. |