Seal

London singer/songwriter Seal certainly made a name for himself with his eponymous debut despite the comparison to fellow London mate, the raspy-soul Terence Trent D'Arby. But Seal is more relaxed, and his craftsmanship is delicate and well-defined. Lyrical depictions are light, songwriting is personal, and production credits are most impressive. With star-studded work from both Trevor Horn (Tina Turner, Art of Noise, Rod Stewart) and Trevor Rabin (Yes, John Miles), Seal is surely a critical hit. Becoming a mainstream radio mainstay for the summer of 1991, the single "Crazy" carried heavy notoriety for Seal and instantly made him a household name. His collaborative effort with Adamski for "Killer" was a massive club hit thanks to it's Hi-NRG strength, but house elements showcased other album tracks such as "The Beginning." Seal is not necessarily a dance innovator so to speak, but he makes for a select crossover artist with impeccable talent worthy of heavy acclamation and critical recognition. The general mood captured on his debut album is refreshing for the early-'90s mediocrity of post-hair metal and manufactured synth bands.

His music was a major force throughout the decade and well into the new millennium. With Trevor Horn at his side, it's undeniable. Together they go for exactly what Seal is looking for: the beauty, desire, and simplicity in creating a new sound. Seal is the face and Horn is the face behind it all. — MacKenzie Wilson.