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Album Three: (Louisiana & New Orleans)

Chris Rea

℗ 2005 EarBooks 937 406 32 CD 03 / © Edel Records / © Jazzee Blue

℗ 2005 EarBooks 937 406 32 CD 04: Album Four: (Electric Memphis Blues)

℗ 2005 EarBooks 937 406 32 CD 02 / © Edel Records / © Jazzee Blue : Album Two: (Country Blues)

℗ 2005 EarBooks 937 406 32 CD 01 / © Edel Records / © Jazzee Blue : Album One: (Beginnings)

℗ 2005 EarBooks 937 406 32 CD 05: Album Five: (Texas Blues)

℗ 2005 EarBooks 937 406 32 CD 06: Album Six: (Chicago Blues)

℗ 2005 EarBooks 937 406 32 / © Edel Records / © Jazzee Blue : Blue Gitars

℗ 2005 EarBooks 937 406 32 CD 07: Album Seven: (Blues Ballads)

℗ 2005 EarBooks 937 406 32 CD 08: Album Eight: (Gospel Soul Blues and Motown)

℗ 2005 EarBooks 937 406 32 CD 09: Album Nine: (Celtic and Irish Blues)

℗ 2005 EarBooks 937 406 32 CD 10: Album Ten: (Latin Blues)

℗ 2005 EarBooks 937 406 32 CD 11: Album Eleven: (60's and 70's)

Chris Rea • 2005 • Album Three: (Louisiana & New Orleans)

The Blues presented on this record may be "The Blues" to many.[who?] When the originally African and South-influenced Blues were brought to Louisiana, New Orleans, the Mississippi Delta, new instruments were added—clarinet, brass, piano, mandolins, accordions - and along with the banjo mingled into an interesting mix, which would be known as New Orleans, Swamp, Cajun or Riverboat Blues. The basics for directions like Jazz, Swing and even Rock & Roll were laid during this time and a distinctive, instantly recognizable sound was created, which would imminently be associated with the Blues.

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